A film about Northwest hip-hop from

Corduroy

Taylor Hart from West Coast cannabis hip-hop site Respect My Region selected Corduroy as one of the very best Northwest albums from 2020, saying:

To me, Sam Lachow’s album, Corduroy, is a work of art from start to finish. A multi-course meal for your audible soul. An exploration through different sounds and flows, which is a common theme throughout a lot of my favorite albums this year.

Sam’s quirky, unique, and often humorous approach to music has always been a vibe for me. Even back in the Shankbone days. The spectrum of emotions that Sam makes me feel throughout Corduroy is exactly what I look for in a complete project. You know that feeling of satisfaction you get when you have a full stomach? When you’re in your comfiest clothes, and you get to sit down in your favorite place? That’s the same feeling my ears get after listening to this album.

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A film about Northwest hip-hop from

Soon Enough

Hmmm... There’s not a lot of information about this record in the museum encyclopedia.

This TOWN LOVE website was created in 2021 as a pandemic-era project. It was a volunteer-led effort to help document and celebrate the complete history of Northwest hip-hop between the years 1981 and 2020. This public archive we built is now available for free online for everyone to read and explore.

If you'd like to contribute, and you know something about this particular record--a story, a memory, or a favorite lyric--please email us a short write-up, and we’ll add your thoughts to the archive when we get the chance.

Thanks for your help in preserving the history of our scene!

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A film about Northwest hip-hop from

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Influence

Influence, released this summer, is a stellar side project from former Nu Era member Blaine Davis and guitarist Joseph Comin. They’ve sampled recognizable riffs from Seattle’s rock and grunge greatest hits, and then magically transformed well-loved songs into hip-hop bangers—each one sounds completely new and fresh. The opening track “Cobain” lifts the haunting strains of Nirvana’s “Heart-Shaped Box” into a loop before veering in unexpected directions. It’s a revelation, as is “Hendrix” and “Miller.” Blaine’s verses throughout are powerful and deep, questions of gentrification and the changing city. Let me simply say this: Go get this record on Bandcamp. The many references to local legends should land this album on every Seattle publication’s record-of-the-year shortlist.

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