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Search For The Cure

The Stranger picked Search For The Cure as one of the “6 Best Hip-Hop Albums of 2005” saying:

Cancer Rising’s Search for the Cure represents a clear break from Seattle’s hip-hop continuum. Grayskul can be traced all the way back to the mid-’90s, to the political gloom of Black Anger; Boom Bap Project can be traced back to Source of Labor; Framework can be traced back to Kid Sensation (and also Criminal Nation). No such link exists for the rappers Judas, Gatsby (AKA Larry Mizell Jr.), and DJ Tiles One, who make up Cancer Rising. A big reason for this is the music itself, which was produced by Manat MacLeod and Matt Wong, the Defkidz.

“When we started,” explains MacLeod, “we thought it would be quick and simple, but then it got more creative. I would come up with crazy stuff and [the rappers] would match it. I had the green light to do whatever I wanted. And the reason why the record sounds unusual is that I don’t listen to hip-hop anymore. I love hip-hop. I love the Def Jux stuff and the Roots, but the music is not adventurous. What I’m listening to is the Flaming Lips, stuff like the Secret Machines, and I took that to the music side, where I was coming up with beats.” The rock element in Search for the Cure is strong but not enough to make it a rock record; it’s still solid hip-hop. And hip-hop has always taken large chunks from rock, reggae, classical music—anything that worked with what Q-Tip famously called “that old boom bap.”

“Local producers like Vitamin D and Jake One are my favorites,” MacLeod explains, “but I decided to pay my respects to them by doing something totally different.”

Here’s another take:

Search For The Cure is the second album from Cancer Rising, and it picks up where their debut album, Sippin’ Music left off two years earlier. The group gives you more of that raw NW hip hop, and at the same time unabashedly continues its explorations into rock and roll. “Pocket Check” and “Run” are two high-energy examples of their signature sound, exploding with power moments and pure fun. Judas and Gatsby both reveal very personal self-observations in slower tracks like “Mama’s Ashes,” “Time And Place,” and the album’s title track, with emotional confessions and therapeutic breakthroughs happening right in front of us. “Play It Again” and “Dedicated” each has a carefree, effortless quality with a sprinkle of summertime and rap block-party nostalgia. The album’s finest moments come courtesy of “Stand Up” and the sleeper hit, “Scenery.” “Stand Up” bounces with peppy keys and horns, punctuated by the intelligent wordplay of these two talented emcees. “Scenery” could easily be one of the top hip-hop/rap tracks to ever come from Seattle. It’s the definition of feel-good music, a warm glow that you can sense in your soul. Search For The Cure is fully grown-up and Cancer Rising deserved all the praise they received for this now-classic album. (Written by Novocaine132.)

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