A film about Northwest hip-hop from

In Tha Name Of Game: Volume 2

Seattle rap artist Twin-G put out his first album on Wet City Records in 2001, titled In Tha Name Of Game. It included diverse tracks like the braggadocious “Peanut Butter Guts,” the reflective “What Can I Do,” and the party cut “Show Me The Money,” featuring rap stars Spice 1 and Kokane. In fact, the album featured a long roster of guest performers, including the “J.R. Ewing of Seattle,” the one and only Sir Mix-A-Lot. Four years later in 2005, Twin-G returned with In Tha Name Of Game: Volume 2 on D-Sane’s Street Level Records.

In Tha Name Of Game: Volume 2 includes a remix of “Show Me The Money,” which replaces the original’s feathery, laissez-faire beat with something a little more substantial and hard-hitting. Similar to the debut album, there are a bunch of guest appearances on Volume 2, perhaps too many to list in this review. Two songs here, “We Bang” and “Cocc It N Shoot” feature Twin-G’s group Lac Of Respect, which put out a solid album in 2004 called Game Members also on Street Level Records.

A good Volume 2 standout track is “Pros,” which sets down a unique guitar-jam beat produced by the talented John Silva, and then swirls Twin’s lyrics around it like stripes on a barber pole. “Pros” is compact and balanced, with a very catchy chorus. “Swisher Heat” is a slow cooker which interpolates the melody to The Gap Band’s classic “Yearning For Your Love.” Another perfectly framed song is “Respect” which leaves lots of space for the beats and quotable lines to stand out. To me, some Volume 2 tracks feel vocally or sonically overloaded, but “Respect” pares it down and gives you “just the facts, ma’am” as the famous Dragnet catchphrase put it.

My favorite track on In Tha Name Of Game: Volume 2 is the most confessional. “You Don’t Know Twin Game” is the title, and the song is extremely meta. I especially appreciate the way the arrangement comes together right in front of us during the first 30 seconds, and then settles into a platinum-sounding vibe. In “You Don’t Know Twin Game,” Twin-G tells his life story with extreme detail. “He gave me twenty G’s and said give me an LP, I f***ed off most of it, bought a Caprice, and fed my family,” is one example. The emotional beat is by Todd Brown, who incidentally also produced “Swisher Heat.”

Hats off to all the producers on this album, and to all the guest stars. Overall, In Tha Name Of Game: Volume 2 is a strong sophomore effort from Twin-G, and it shows that gangsta rap is alive and well in the 206. Written by Novocaine132

Did we get it wrong? It happens. Send us an email and let's get it corrected right away!

A film about Northwest hip-hop from

Reigncraft, Volume 3: Supply and Demand

Reigncraft Volume One was an excellent showcase of Seattle hip-hop across a broad spectrum of styles and genres. Volume 2 continued the pattern, and gave listeners a taste of diverse rap talent from our industrious, productive city. The third in the series is Reigncraft Volume 3: Supply And Demand, released in 2004. Supply And Demand is as ambitious as its predecessors, and it’s a very fun listening experience.

The first song that stands out for me is “Ra-M-O-S” by No Good Therapy. This one previously appeared on No Good’s 2003 indie CD We’re Back Seattle, which was re-released by California’s Thump Records with the title Come N Get It. “Ra-M-O-S” is a well-produced track from Beezie 2000 with lots of sonic twists and turns. Greasy Earl aka Ricky Pharoe absolutely nails it with “New Earl Order.” The sinister Isaac Meek beat looms threateningly like a second American Civil War. “A lot of people have tried to silence me…all of them failed,” goes the sampled movie quote throughout the song. Pharoe is the master of the sardonic, here he conjures up a maniacal dictator not too distant from George HW Bush.

Ricky Pharoe isn’t the only artist here with an alias. Seattle rap veteran Silver Shadow D gives us “Yum Yum” using his alter-ego Ferrocious. Shadow picks a solid beat here by producer Loop to drop some Jamaican-inspired lyrics in an energetic Patois. Dim Mak create a universe that is moody and full of emotion on “Breathe,” which was featured on their EPoch release. In another sampling victory, “Breathe” fades out to mysterious dialogue, “I studied day and night, to learn of those unseen forces that hold this world together…beneath the surface.”

Gangsta supergroup Lac of Respect bring that Street Level vibe with “They Know.” As a side note, Street Level founder D-Sane also produces “Take This Flight” by Crytical, and “Intro” featuring series host KNDNM on vocals. “Revel In Relevance” by Asun is unique in several ways. Asun is one of the more non-commercial artists to come from Seattle. Each time he goes out, he seems to be experimenting, and always reaching for different themes or flows. “206, that’s what I represent,” he reminds us in the chorus. Volume 3: Supply And Demand has a ton of different tracks to delve into, and don’t forget to check out the top-notch CD graphics by Billy The Fridge. Written by Novocaine132

Did we get it wrong? It happens. Send us an email and let's get it corrected right away!