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All Your Friend's Friends

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A film about Northwest hip-hop from

Make Happy

Hmmm... There's not a lot of information about this project in the museum encyclopedia. We'd love your help! TOWN LOVE is maintained by an awesome community of passionate volunteers who keep it all up to date.

Do you know something about the history of this record? Do you have a favorite lyric or a favorite memory? Send us an email on why this is one of the great hip-hop albums from the Northwest. Thanks!

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A film about Northwest hip-hop from

The Sport-N-Life Compilation Vol. 1

Sportn’ Life Records launched in 2002 with a two-song, twelve-inch rap single. The A-side was called “We Are” by Last Men Standin, and the cut lyrically served as a rectangle-sticker-on-their-chest introduction to the group and the label. The single’s B-side was by Danger, later known as D. Black and now Nissim Black, and titled “You Need A Thug.” Both tracks were produced by Vitamin D of Tribal Productions fame. Sportn’ Life co-founders Devon Manier, Emery “Slim” Buford, and Jamal Henderson quickly began to attract talent, and in 2003 the label put out a massive collection of Seattle hip-hop called The Sport-N-Life Compilation Vol. 1, containing twenty one tracks.

Let me apologize ahead of time to some of the fine artists that I will not have time to mention, there are too many tracks here to cover them all. Danger and Fatal Lucciauno start things off with their excellent “Make A Change.” Both performers have an economic way of rapping, using supply and demand to create phrases, sentences, and verses of extreme value.

The aforementioned Vitamin D carries some weight on Compilation Vol. 1, producing four cuts on the CD. Besides the two songs from the 2002 Sportn’ Life single which both appear here, Narcotik’s easy-paced Seattle classic “Chips To A Cell” from the group’s 1995 album Intro To The Central is also featured. Vitamin’s own track “Pimp Of The Year,” is yet another example of his talent both in the booth and twisting the knobs.

Producer J Bellamy gets flutey on J. One’s pop-sounding “Tonight,” featuring a short rap by Wojack and vocals by Sophia. “No Ordinary” by Footprints is one of my favorites of the whole set. “The rumor is I’d make a million overseas. America, she’s so hard to please,” is one of Proh Mic’s effortless lyrics. Mall Saint also entertains with “Caught In The Red,” showing off his very unique, speedy rapping style.

Three huge names finish the long compilation, Silent Lambs, Fleeta Partee, and Candidt. Sportn’ Life managed to accomplish so much with this ambitious CD. The thoughtful project brought together artists who may not have otherwise appeared together, which added so much character to the listening experience. I would be remiss if Bean One did not get a shout out too, for producing over a dozen beats on Compilation Vol. 1. Written by Novocaine132

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One

Oldominion dropped their first single in 1999, “Don’t Kill Your Radio,” which established the group as angst ridden and wickedly intelligent. The following year, the group put out its second twelve-inch, “Parallel To Hell,” b/w “Serenade To Silence.” These two songs showed growth, not only artistically but also numerically, as “Silence” boldly featured eight rappers on the same cut. Then Oldominion put out a short lo-fi CD titled Book Of Fury, also in 2000.

Oldominion’s proper debut album, titled One, includes “Radio,” “Hell,” and “Silence,” plus eleven new tracks. Track one “Ezmerelda” showcases rapper Syndel and her densely-packed style. Despite having so many voices, “Serenade To Silence” is probably my favorite track on the album. The simple repeated guitar notes in the composition remind me of a meditative Om chant, which grounds the song for me. At the start of the CD an interviewer asks, “How would you describe Oldominion?” I laugh out loud every time I hear the reply, “Haven’t heard of them.”

By the release of One the various members were already embarking on side-projects. Onry Ozzborn would go on to collaborate with JFK and Rob Castro to make Grayskul. Destro Destructo and Nightclubber Lang would become Boom Bap Project. If the One album was a talk-radio program it would be the conspiracy-laden Coast To Coast AM show, hosted by the paranormal-obsessed weirdo Art Bell until his passing in 2018. Listening to Oldominion is like playing Scrabble with Hannibal Lecter, J.R.R. Tolkien, and Charles Bukowski, imagination runs amok in a torrent of bizarre, fantasy-filled, and sometimes mundane lyrics. Take the ride. Written by Novocaine132

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Parallel To Hell

Oldominion dropped their first single “Don’t Kill Your Radio” in 1999. The song and its two B-sides introduced the group as full of relentless literary angst, intent on capturing wide swaths of thesaurus-rap territory. In 2000, they put out an underground CDr album titled Book Of Fury, and also dropped this vinyl single, “Parallel To Hell.” Compelling jacket art was created by Barfly, and the front depicts a ghostly woman in a red dress. The way the record label has a punched out hole in the middle of the Oldominion logo’s “d” is a nice touch.

The A-side “Parallel To Hell” features performances by JFK, Pale Soul, Sleep, and Smoke, who alternate filling in the lines of a conceptual dialogue. One highlight of “Parallel To Hell” is Portland rapper Syndel with her needle-sharp verbal style. The chorus refers to the woman in the red dress seen on the cover, “pretending she’s a damsel in distress.” Is it all symbolism and metaphor? Oldominion isn’t going to tell you, they are too deeply invested in their art for the listener’s interpretation to matter.

Side B is “Serenade To Silence,” which includes the four rappers from “Parallel To Hell” and adds Destro, L’Swhere, Mako, and Onry Ozzborn for a total of eight artists. The gentle production on “Serenade To Silence” belies the dark, introspective imagery that accompanies the song’s lyrics. For example, “Now that I’m over the worst part of the pain, the sanctuary crumbles, I brace myself for the secondary tumble, down a black cavity, depravity…” Oldominion was among the most purely artistic and non-commercial rap groups that I can remember, and they deserve credit for doing the actual heavy lifting required for universe-building. “Don’t Kill Your Radio” and “Parallel To Hell” don’t really sound like anything else.

Just as this single was spreading through the country, Oldominion was putting the finishing touches on their massive proper debut album titled One. With so many members in the crew, and so many cities included in their grasp, Oldominion capitalized on their position and infiltrated every nook and cranny of the Washington and Oregon rap game. Even today in 2023, their name lives on among the major crews to ever come from the Northwest. Written by Novocaine132

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Don't Kill Your Radio

Oldominion was a giant crew of hip-hop affiliated artists that assembled into a colossal rap group in the late ’90s. The group’s first single, Don’t Kill Your Radio appeared in 1999 on both CD and wax format.

The A-side of the vinyl starts with the vocal version of “Don’t Kill Your Radio,” and Oldominion immediately moves to capture wordy, thesaurus-rap territory in a literary land grab. These are very atypical rap lyrics here. “With bloody Carrie walking down the path of a pet cemetary,” is a good example, dropping a couple of Stephen King references. You won’t hear raps about blunts, cars, sex, jewelry, and the typical materialism found in a lot of hip-hop. Instead, these MCs spin colorful yarns and mini-vignettes which keep your ear wondering what they will say next. “Don’t Kill Your Radio” ends with a very metaphysical quote about positivity and negativity, wait for it. Instrumental and acapella mixes are included here for the DJs.

Side B features “Understand This,” maybe the smoothest of the three tracks here, but like all of Oldominion’s material it’s still a bit harsh-sounding. The group embraces paradoxes, “The closer you come, the further away you get,” is one of many examples found here. The last cut, “Ego System” contains more of the same out-there, conceptual lyrics like, “I wrote this song with the world on my back, because I took it back from Atlas and destroyed the Zodiac.” The beat on “Ego System” arrives suddenly with tense violins, eventually adding drums and finding a chaotic equilibrium. Instrumental versions of both songs are included here adding value to the twelve-inch.

Don’t Kill Your Radio features many of the rappers in Oldominion, including Destro, Nyqwil, Onry Ozzborn, Pale Soul, Sleep, and Snafu. Just like Wu Tang Clan, Oldominion built a solid foundation as a huge crew, and then various members and groups broke off and recorded numerous side projects over the next decade. Written by Novocaine132

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