A film about Northwest hip-hop from

Lovework

In the most recent issue of City Arts, you’ll find a poem contributed by Gabriel Teodros honoring the memory of J. Moore. Consequently, I found myself listening to Lovework on headphones at the moment when I ran into Gabriel himself outside of Neumos at last Friday’s memorial show.

This record recently celebrated its 10-year anniversary, and it sounds as fresh and honest today as it did in 2007. Exploring wide-ranging “big” issues from sexism to classism, immigration to geopolitical struggles, Lovework is also very damn funky. Press play and two songs in I’m already chair dancing. The way the bass drums and the bass guitar interplay throughout “Beautiful” is simply sublime as is the syncopated rhyme scheme in “East Africa.” Here’s a musician who understands the responsibility and opportunities of the microphone to influence hearts and minds. Seek this record out.

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A film about Northwest hip-hop from

Sun To A Recycled Soul

As far as I know this is Gabriel Teodros’s debut, and it’s definitely rougher than his later records. He’s still developing his flow here, but the fire, eloquence, and themes he’s known for are already in place. It’s got that old-school, jazz sample-heavy flavor I love, and the rough, unmastered sound quality I crave in production. Jerm, Castro, and Khingz, among others, guest. It was re-released a second time with a whole bunch of additional guest emcees (Orko, Macklemore, Moka Only, Deps, Patrick, Rajnii). Vivacious music, from possibly the 206’s most impassioned orator. (This review originally appeared on the Bring That Beat Back blog and was written by Jack Devo.)

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