A film about Northwest hip-hop from

Disco Christ

Disco Christ, from Raven Matthews, is quite possibly my favorite album of the year. Channeling some of the spirits of Beck’s anti-folk Loser era, this creative and wide-ranging record is an endlessly inventive musical playground. Rambunctiously mixing hip-hop with grunge and pop and EDM, Matthews sings and raps sweetly. You rarely anticipate where the next track is going to take you, but it’s always someplace amazing. Take, for example, the gurgling, carbonated bubble pop of “Soda,” the relentless forward drive of “Don’t Stop Baby,” or the musical round of “Bikini Bottom,” featuring DoNormaal. With each track, I think “This is my new favorite song.” I saw him at The Crocodile a few weeks ago and he was a radical, committed live performer. Go see him if he’s playing near you.

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