A film about Northwest hip-hop from

50 Next: Seattle Hip-Hop Worldwide

50 Next: Seattle Hip-Hop Worldwide drops you into a literal roundtable conversation between Town legends old and young. James Croone of The Emerald Street Boys tells the story of discovering how “poetry on top of music” could carry a message. Spyc-E shares how she first learned to write rap verses, at age 11, and is kindly teased by the group into performing her first-ever childhood rhymes. Later, Khingz thanks Vitamin D for mentoring him early in his career, and for how it helped him achieve his own success. This half-hour documentary captures several charming, rambling discussions about the long history of Northwest rap. The whole thing is a delight.

Eazeman from ’90s group L.S.R. reflects on how major-label rejection shaped the scene early, saying “If you don’t want to show us for who we really are, then we don’t need you. We’re going to make our own party.” Rapper Candidit adds, “Don’t come if you’re not prepared.”

The group passionately rails against the evils of what they describe as “capitalist hip-hop,” which divides communities and makes local artists into commodities to be bought and sold. There’s a need today for more love and mutual respect and not so much focus on money and fame and numbers. Instead, they explain how everyone making art in the Northwest has a responsibility to fight back against the mainstream, “intended to pacify society” adds CPS da Scientist. Rapper DICE encourages artists to follow their imagination, saying “who cares what is new and cool now. Figure out what it’s going to be cool next, and then be the first to do it.”

50 Next was released as part of a larger online interactive experience by Aaron Walker-Loud and Avi Loud, “a multi-media time capsule of what was, what is, and what’s next…” The whole project is still online and is viewable here.

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A film about Northwest hip-hop from

Amerika 911

Amerika 911 was a Northwest compilation that dropped in 2002 in response to the increasing hostilities directed towards the Middle East by the US. It’s a brave, gutsy little anti-war testament; as it examines the U.S. motives for engaging in war, and dares to point fingers in directions other than at the obvious motives (i.e. September 11th and Osama Bin Laden). Listen to Kylea’s verse on the first track, “A Call To Arms” for an apt summation of this record’s contents.

If it had been widely distributed it probably would have caused quite a stir among all those of us blinded by pain, bigotry, patriotism, and nationalism. But of course, it didn’t, since it was an unpopular view from an unpopular (at the time) corner of the hip-hop map–and that’s too bad in my opinion.

This compilation is dope on many levels, musically, lyrically, politically, and consciously. Bottom line, we’re all fam. Don’t let any of the powers that be tell you differently. Many notable acts contribute, including Khazm, The Flood, Yirim Seck, Castro, Specs One, Gabriel Teodros, Khingz (back when he was still calling himself Khalil Crisis), Kylea of Beyond Reality, Vitamin D, H-Bomb, Silas Blak, WD4D, E-Real Asim of Black Anger, Surge Spitable, and El Saba, who provides the defining moment with “God Bless Humanity.”

The album is an interesting mix of 2nd and 3rd wave Seattle hip-hop and captures the sound of the Town during that state of evolution. Executive produced by Khazm and G. Teodros, released in part through MADK. (This review originally appeared on the Bring That Beat Back blog and was written by Jack Devo.)

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