Release The Pressure is a 1990 hip-hop record from Tacoma gangster rap group Criminal Nation. It’s primarily the work of two musicians: DJ E, “the table-wrecker,” and MC Deff, “the renegade,” with the occasional assist from their extended crew, the D.C. Posse, filling out the album’s front cover. The record was jointly released by NastyMix and Cold Rock and was one of the first to put “life in Hilltop”—the gangs, guns, drugs, girls, and cops—on the map.

It’s a bad-ass debut LP, mixing militant politics with dance floor appeal. DJ E’s production is filled with groovy bass lines, electro synths, scratching and guitar samples, while MC Deff is on the mic murdering emcees with superior rhyme skills.

Release The Pressure infamously bears the Northwest’s first Parental Advisory sticker, and it proudly earns it. Every song is filled with expletives. They’re angry. It’s time for action. Frankenstein rap tune “My Laboratory” slips into “My Lavatory,” and MC Deff is gonna drop his, uh, “bombs” on Seattle.

“We didn’t make no record to play radio,” said Deff in an interview with The Rocket.

Today, rappers tend to say any motherfucking shit they want, so it’s hard to recognize how awesomely in-your-face transgressive Release The Pressure sounded in 1990. Indeed, it spent 13 weeks on the Billboard charts and netted four hit singles.

The vinyl stored in KEXP’s vaults acknowledges the album’s airplay challenges: “So many red dots for profane lyrics… The best tracks, unfortunately. They combine NWA with Public Enemy’s black nationalism. Also, it’s very funky.”

Fun fact: The song “Definitely Down for Trouble” includes Washington’s earliest cannabis reference on vinyl: “The vapors from my lyrics rise through the area, The suckers get blazed from the ways the words is flowing, The way I be blowing.”

For a long time, this record has been, uh, criminally hard to find, but was recently added to Spotify. You can finally go hear Tacoma’s first great rap record today.

Here’s another take:

These bad-ass brothers from the Hilltop (formerly America’s Most Wanted) have put out one of the best debut rap albums I have ever heard. The mix of black awareness songs like “Black Power Nation,” which talks about how black people need to cure themselves before they can cure the world, and hard songs like “Criminal Hit” and “Mission of Murder” make Release the Pressure great. On other songs like “Insane,” “Violent Sound” and “Definitely Down for Trouble,” they are mostly talking about how crazy and bad they are and how big their posse is, but that’s how most rap albums are.

M.C. Deff’s voice and style of rapping give this album a sound like no other. Even “The Right Crowd.” which sounds like a pop crossover, isn’t that bad if you really listen to the lyrics. Another reason for Release the Pressure’s success is that D.J. E. doesn’t over-sample. You might hear an old George Clinton guitar lick or beat, but it’s not overdone.

A lot of credit should be given to Nes Rodriguez and Brett Carlson because, as executive producers, I’m sure they had a large influence on the album. Having Nes as one of the producers was a good move for Criminal Nation because he was one of the main people who brought rap into the Seattle scene.

Overall, Criminal Nation is a kind of Tacoma version of NWA, except they don’t refer to women as “bitches.” In the words of another NastyMix rapper, Kid Sensation, “when you talk to a girl like a bitch, nine times out of ten, that’s what you end up with.” (This review originally appeared in The Rocket and was written by Orion Penn.)