A film about Northwest hip-hop from 2001
I Want All That
Greg “Funk Daddy” Buren is a Seattle hip-hop all-star. In the 80’s he sharpened his craft as a DJ/rapper/producer, a force to be reckoned with. In the 90’s he exploded onto the national rap scene, thanks in no small part to his work with hyphy Bay Area emperor E-40. Right after Y2K, Funk Daddy continued to impress with his 2001 album I Want All That.
On “Intro,” perpetual weed-smoker B-Legit is ready to cosign for Funk Daddy, and he says so in as many words. Up-and-comer at the time Livio had just dropped his own debut single, and he joins Funk Daddy on the sardonic “All These Hos.” Groovy track “Freaks Sippin Hennessy” is an interpolation of Digital Underground’s 1990 sexy classic “Freaks Of The Industry,” and original Underground member Money B unspools an entertaining verse. Funk Daddy reunites with his Crooked Path partners Jay Skee and Dee-Lyrious on the excellent, upbeat cut “Just Don’t Stop.”
Rhyme Cartel-signed, rap/rock act Outtasite adds vocals to three tracks on I Want All That, album opener “Whatchuthought,” party anthem “Mah City’s Tight,” and the quite explicit “Ghetto Luv.” “Drinking till we see the sun, ladies be like two to to one, you don’t need no lady luck, bouncing like they’re down to f***,” goes a typical line from “Mah City’s Tight.” Portland’s Cool Nutz is featured on “Day To Day,” which has one of my favorite beats on the album. The various voices and guest appearances add zesty flavor to the project, and the album stays spicy from start to finish. The menu is assisted by rapper Mr. Rossi, who appears on most of the tracks here.
The artwork on the back of I Want All That is a city skyline, with the Space Needle modestly featured. This isn’t directed at Funk Daddy, but I have a question for all current Seattle hip-hop artists. Why do you need to put a picture of the Space Needle on your album? Is it so you can find your way home? Is it like sewing your name in your jeans to identify them?
In June of 2022, the company which owns the 1962 landmark sued a Seattle coffee business that used the Needle as its company logo. According to an article in US News & World Report, “Karen Olson, head of Space Needle operations and marketing, said the legal action is unusual. ‘We’ve never had to get to this point,’ Olson said. ‘I’m surprised that we’re here.’” In the past, the Needle let things slide, but brazen usage of the trademark has multiplied in recent years. Rappers, just ask yourselves, what am I trying to say by using the Needle in my art? Written by Novocaine132