A film about Northwest hip-hop from 2014
A while back, someone suggested to me that you could love a whole record because of a single drum break or perfectly placed sample, and Never Enough a 2014 release from Leezy Soprano has them in spades. There’s one moment in particular, in the opener “The Whole World/Problem Child” where, just as Tacoma rapper Leez says “Pour some liquor…” a sample of ice clinking in a glass emerges to form the foundation of a synth line that then carries through the song. If you do nothing else, go seek out this moment: I look forward to it every time I spin this record. (At the end of the track, he says, “I love y’all, and I love this beat, too,” and you know he knows it’s great. “Star” samples Madonna in a fresh way, too. What brings me back is all the real talk on racial injustice and the need for change. “Colors” suggests that instead of one-day protests, there’s a real need for better ongoing education programs in black history and accomplishments in our schools. Fun educational fact: Leez’s Supreme Being record was one of the first I ever wrote about, inspiring this whole long series of local hip-hop write-ups.