A film about Northwest hip-hop from


There was a time in the mid ’80s when I loved rap like life itself because it was exuberant and out-of-control and made me wanna swagger down the street kissing boys I didn’t know (in my mind only, understand). But later on, rappers started getting cooler and cooler, and I fuckin’ hate cool people. They’re always telling the rest of us to mellow out and stop embarrassing them.

I liked Six in the Clip, though. They were a local, racially mixed crew of screwballs whose snotty rhymes could inspire entire roomfuls of jaded rockers to…actually move.

Now they’re called Prose and Concepts and they are serious. Uh oh…

Gone is the uneven feel of Six in the Clip; now all these guys rap like pros. Like most rappers who “get serious,” they’ve laid back a bit, but not everyone will see that as a problem. The DJ is superb, the samples understated-no real show-offy stuff, except in the lyrics, which are mainly the old school type raps about how great the rappers are, with some nonsense rhymes that sound good thrown in (“Knick knack paddy whack, give the fools a Prozac”). That’s all fine by me; I don’t need to hear any more about big butts or big guns for a while.

My fave here is the insanely catchy “P,” which is about pee. It’s one of the only moments on the album when the guys seem to really cut loose and have some fun. In fact, some of the songs have an almost sinister undercurrent to them; sampled minor chords throb hypnotically behind droning rhymes.

This is an impressive enough first effort, but now that these guys have proved they can rap, maybe they’ll go all out and throw us a party again. (This review originally appeared in The Rocket and was written by Dawn Anderson.)

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