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Champions Of Breakfast

Don’t Talk To The Cops are the closest thing to Seattle rock stars that I can fathom. The group’s first album Regular Show in 2011 was a psychedelic fruit salad of creative tasties, including “Guess I’m Strange,” and “Girls Buy Me Drinks.” Their second album Let’s Quit the following year crystallized the flavor even more on wild experiences like “I Don’t Like Rachel,” and “Tip Toe Right By Em.” Then in 2013, right on schedule, a third DTTTC album called Champions Of Breakfast arrived. It was released in a limited edition, cardboard “cereal box” with a CD inside, very collectible. The group’s DJ, El Mizell aka Gatsby, was billed for the first time as a full-fledged DTTTC member. As a historical note, the trio had previously posed together for a frameable March 2012 City Arts Magazine cover photo.

Champions travels to way more abstract places than the first two albums dared. Regular Show and Let’s Quit are firmly rooted in rhythm, but this third offering is slower and more vaporous. Interestingly, the two tracks I respond to the strongest are both instrumental cuts, “DJ blesOne’s Theme” and “Champions Of Breakfast.” These two beats have a singular quality which was plentiful on the group’s first two albums, that head-banging feeling you get when your body just wants to move. “Bombshell” gets close to perfection, but the looping quality of it prevents me from getting immersed like I usually do in a blesOne production.

Actually, to my dismay, much of Champions Of Breakfast is elusive to me, and contains no handles to metaphorically grab onto. For instance, the songs “That Ain’t What 2048 Mase Do,” “Gimme That ’80s Butt,” and “Michael Jordan’s 50” ensnare the listener in a hazy, chopped and screwed, Jupiter-level gravity zone. It’s paralyzing and imitates what I imagine being stuck in a ketamine hole would be like. One happy exception among the vocal tracks is the boisterous “I’m @ The Ocean Kid,” which renewed my faith in this important band.

The whole Champions Of Breakfast album plays like a series of experimental demos, as though DTTTC had grown tired of its own previous sound, and wanted to grow and evolve. Sure enough, there was much more to come. The group dropped an angry swan song of sorts titled Swamp Jams II in 2014, then a true coda called Forevers in 2016. Written by Novocaine132

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