A film about Northwest hip-hop from

Hollow Point Lyrics

Dividenz is a rap duo consisting of C.O.L.A. and Notes. Their first album is called Hollow Point Lyrics, and it came out in 2003 on D-Sane’s Street Level Records. Notes brandishes a bullet on the album cover artwork, while C.O.L.A. holds an umbrella. Skuntdunanna helps to fire up the party, dropping a punchline-filled verse on the album’s first cut, “It’s All Official.” “Too Much” featuring Bullet is one of my favorites on the album for its simple, gangstery beat and Nate Dogg-ish vocals on the hook sung by Jazz.

“Million $ Mouthpiece” features Seattle rap legend Byrdie, who had dropped his solo debut Poetic Epidemic two years prior in 2001, also on Street Level. Although the beat is catchy and smooth, the lyrics fall into the rap-about-rap trap, which limits the content of the track to solipsistic musing about being an MC. There are happy exceptions however, “I’m rollin by señoritas, yelling mama mia, they dream like they got shot with anesthesia,” raps Byrdie.

Fans of Hall & Oates may appreciate “We Don’t…” which interpolates H&O’s 1981 classic “I Can’t Go For That.” “I never been a sucker, I’m just a young hustler trying to have the world spinning in my hand,” goes a nice line from “We Don’t…” Overall, Hollow Point Lyrics is a solid debut. Six years later in 2009, the group would drop a second Street Level album, 10% Rap 90% Hustle. Written by Novocaine132

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A film about Northwest hip-hop from

Finally

Finally was manufactured in 2001 by Sea-Sick in Seattle, home to releases by RC Tha Trackaholiq, Skuntdunanna, and Central Intelligence. However, the album is not technically on Sea-Sick, but rather Emerald City Records, which also worked with local group Dividenz. In fact, the credits of Finally tease an upcoming Dividenz album which eventually came out on Street Level Records.

Label details aside, Oxagin consists of two members, Sli and Loe. Their debut Finally is predominantly a story of hustling, street life, and crime. For example, in the skit “Tha Jack Move,” they steal a car from a hapless fellow citizen. “On A Roll” continues the carjacking story, “I can’t blame him, I would have shot him, I spot him, and if you would have missed, I would have got him.”

The sultry track “I’m Chok’in,” featuring singer Francci, is all about the large quantity of weed smoked by the group. Vampire movie fans will like “Lost Boys” which repurposes the eerie choir-boy chants from the movie’s soundtrack. “Thou shalt not kill…” For a taste of Barry White, check out “Realer Than Real,” which flips the famous ascending bassline from “I’m Gonna Love You Just A Little Bit More Baby.” “Takin Over” featuring DMS is a solid effort by both groups.

To me, the most interesting track on Finally is “Send Me An Angel,” produced by Scott. Australian synth-pop band Real Life had a worldwide hit in 1983 with their emo song of the same title. Oxagin repurposes it here for a dirge-like tale of a character killed in a drug deal gone bad. “You should have known that life falls just like rain, you should have known they killed you for that cocaine.” This track captures the despairing, helpless tone of the original, and shows the ability of hip-hop to basically reintroduce us to songs that are already familiar. Music never dies, it just whistles a new tune. Written by Novocaine132

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