A film about Northwest hip-hop from

IDXI

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A film about Northwest hip-hop from

The Blank Canvas

Filmmaker and hip-Hop musician Rafael Flores spent six years making The Blank Canvas: Hip-Hop’s Struggle for Representation in Seattle. The film attempts to document the unique identity of hip-hop culture in Seattle, through interviews with over 100 rappers, producers, DJs, graffiti artists, break-dancers, fashion designers, and promoters from The Town.

It takes us on a journey that investigates the origins of Hip-Hop in the Northwest, the legacy of Sir-Mix-a-Lot, the notorious 1985 Teen Dance Ordinance, Clear-Channel’s dominance over commercial Hip-Hop radio, the increasing popularity of white rappers in Seattle, and hip-hop’s struggle for representation in a seemingly liberal city.

The full 96-minute film is available for rent on Vimeo for $5. Watch the trailer below.

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A film about Northwest hip-hop from

Hidmo Next

Between 2006 and 2010, a Central District Eritrean restaurant called Hidmo served as an important hub for Seattle’s hip-hop scene. Its location at 20th and Jackson was “a community center masquerading as a restaurant,” according to Gabriel Teodros. It was run by two sisters–Rahwa and Asmeret Habtes–community organizers, activists, chefs, and entrepreneurs who offered up a safe space for artists, musicians, youth groups, nonprofits, and activists.

This 21-minute documentary from Scott Macklin captures the final closing night party for Hidmo. It’s “the place that fostered my art,” says JusMoni, before launching into a stunning acapella. Felicia Loud, Suntonio Bandanaz, THEESatisfaction, and OCnotes also share acapella songs and raps. The latter three crowd around a single microphone, for some “do-wop shit,” adds OCnotes.

There’s a real feeling of family throughout this film. Toddlers dance in the background during freestyle raps. You really get a sense of how special Hidmo was to the community. At one point, the camera veers away from the action and visits the kitchen staff and other people working behind the scenes. The director, Scott Macklin, makes a brief appearance in front of the camera to remind us that “Hidmo is about the we,” while addressing apprehension about what comes next.

This wonderful portrait is a beautiful testament to what culture can be fostered when “people just got together and did it.” Watching Hidmo Next in 2021 hits a little different: We lost Rahwa in August 2020 during our pandemic year. In a memorial tribute in The Seattle Times, Hollis Wong-Wear tried to sum up her impact: “Rahwa was the engine, the nucleus, the crucible of that space — I saw her as a titan.”

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