A film about Northwest hip-hop from

1986

What an intro it is! Silas Blak from (Black Stax, Silent Lambs Project, and Blind Council) spits the most brain-stimulating abstract metaphors you can imagine, in delivery so dark and jarring it causes hiccups. He leaves you hanging on to every grimy word he speaks, while your head-nod slows to nothing, and your feet forget to dance. He’s the rarest kind of poet; one that is able to speak the most eloquent stanzas you wish you could think up, but in plain rap, straight to your brain.

There’s nothing frou-frou here, no self-absorbed coffee-house spoken word crap or tired-out boasting. There’s no wasted space. Every word is what he means. On beats, Silas is joined by Specs One, King Otto, Dropcast Music, and Vitamin D (who also lends a verse on one track). From 2006, released on CD-R. A darker and heavier hip-hop record has yet to be heard. For now, listen to this and yearn. (This review originally appeared on the Bring That Beat Back blog and was written by Jack Devo.)

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A film about Northwest hip-hop from

Living Room Prophets

Hmmm... There’s not a lot of information about this record in the museum encyclopedia.

This TOWN LOVE website was created in 2021 as a pandemic-era project. It was a volunteer-led effort to help document and celebrate the complete history of Northwest hip-hop between the years 1981 and 2020. This public archive we built is now available for free online for everyone to read and explore.

If you'd like to contribute, and you know something about this particular record--a story, a memory, or a favorite lyric--please email us a short write-up, and we’ll add your thoughts to the archive when we get the chance.

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A film about Northwest hip-hop from

Red Scribe Pages

From Di-Ra Boys in the 80s, to Silent Lambs in the 90s, to Black Stax in the present, Jace has long been a major force in the Seattle hip hop scene. Red Scribe Pages is a solo album he released in 2004. His style on most tracks is predominantly staccato rap, not full sentences but just short monotone phrases stacked with meaning and double entendres. Each line stands alone, apart from the song. This album isn’t a collection of a dozen songs, it’s a collection of a thousand sentences.

“Hustle Backwards” starts the album with a swirly, climbing synth beat produced by Mr. Hill. Next are a couple of Bean One joints. “Message” musically conveys a haunted house experience while Jace goes abstract. “Collect your thoughts like coins, now we join,” he intones like a hypnotist. While “Struggle” has some popcorn to it, I found it a little difficult to catch.

For a dose of jazz, check out “Gunwise.” The dialogue sample throughout the track explains that the power of a microphone is more than that of a gun. In the refrain Jace reminds his peers that one must “rap with intellect.”

The aggressively moody “Black Poison” produced by Dropcast has speedy momentum, and thanks to its imagery plus a more standard rhyme style it’s probably my favorite song on Red Scribe Pages. By contrast “Mind Element” goes a little more atonal with the loop, keeping things off-balance and on-brand.

All-too-short “Good Time” packs a celebratory-sounding piano melody, starkly contrasting with the rest of the album’s eerie, opaque mystery. “Scripted” has built-in drama lurking in the soundscape and a couple of lyrical easter eggs. Listen for the Do The Math reference.

Two more Mr. Hill creations are next. The “Unknown Origin” beat sounds like a mad doctor. Mr. Hill did a bunch of songs with New York legend Kool Keith, and feels borrowed from one of those sessions. “Focus like telescopes,” Jace directs the listener. To me, “Unexpected Shots” brings it back to that rousing movida I found appealing on “Black Poison,” and it’s another of my favorites here. Jace repeats, “Remember or forget me not,” at various points through the track.

“Unconscious” has an easy Jazzmatazz vibe, and an accelerated rap flow. The last song “Energy” features Silas Blak, Jace’s longtime musical partner and a Seattle rap veteran in his own right. Written by Novocaine132

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