A film about Northwest hip-hop from

Skin 2 Skin

The original version of the song “Skin 2 Skin” appears on Kid Sensation’s 1990 debut album, Rollin’ with Number One. It’s a slightly clunky love ballad, punctuated with synth stabs and banging drums. Through a series of telephone skits and rap verses, Kid attempts to convince a girl to come over to his place, expressing his sincerity and honesty, citing how Janet Jackson and Milli Vanilli said it’s “Alright.”

The brand new 12” “Naked Mix” featured here on this vinyl reimagines “Skin 2 Skin” as a new song, centering the music around a bright, funky guitar, while also dialing back the drums and adding a wide range of trippy left-right stereo effects. The mix takes the song in a fresh, intimate direction, one where you’re more likely to be won over by Kid’s flirtation.

On the flip side, you’ll find two versions of a superb new Kid track about wealth, racism, and society called “Homey Don’t Play That.” He recounts a series of misadventures that warn of the perils of money and fame: Girls who want to spend all his dough, fair-weather friends who need to “borrow” $20… He heads to a fancy restaurant and is instructed to use the service entrance. The Maître D’ insults him, saying “Black folks are only welcome to shine our shoes.” At the closing of the song, Kid and his friends are singing the chorus as a group. One guy yells out to stop, saying “The white girl is off-beat.”

Something to love about early Kid Sensation records is how they were a playground for new ideas and new talents. They’re daring. This record features the first vinyl appearance of a young DJ Ace: His work with Prose & Concepts and the ECP in the mid-‘90s made an important mark on the scene, and his appearance here is no doubt part of the reason this 12” single is such a stellar record.

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A film about Northwest hip-hop from

Rollin' with Number One

The debut full-length from “teenage lady killer” Kid Sensation dropped in 1990, while Kid was, indeed, still a teenager. He and Sir Mix-A-Lot originally met back when pre-success, mid-80s Mix was a popular recurring DJ at Boys and Girls Club parties and events. Kid was a teen who’d linger after the set and help Mix put away his gear.

The backside of Rollin’ with Number One has all the best songs, like “Two Minutes,” where he shows us how it’s done by spitting verses for two minutes straight with barely a breath. The drums on standout “Legal” pierce your synapses at unexpectedly pleasant times. This one tune was co-produced by Mix-A-Lot—whose shadow looms large over the whole record—but it’s very much Kid Sensation who’s the star here, making all the beats and dominating 10 tracks with a smooth, speedy bullet train cadence.

Side B opener “Flowin’” is a great example of Kid Sensation’s dual threats of production and rapping. “I’m impossible,” he says at one point, adding, “Sucker emcees can’t comprehend because they’re too slow.” Kid then lays down a ground cover of drums, samples, and vocal wordplay, demonstrating his impressive skills, letting you know he’s “cutting you down like grass in a mower.”

The song is yet another NastyMix tune that incorporates elements of “Posse on Broadway.” (That’s 4, for anyone keeping count…) I’d love to know if there’s a larger story here.

Deft samples include movie lasers, a heart-rate monitor, and the infamous “funky drummer.”

The jacket will have you plotting your next beach fire at Golden Gardens. Listen closely to the lyrics and you’ll hear references to Rainier and Seward and other Town locales. This one is on Spotify so you can go bump it right now.

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