TOWN LOVE is an online art museum dedicated to celebrating the vibrant past and present of Northwest Hip-Hop. You can browse by artist or browse by year.

This gallery page is organized to highlight the creative work of

Artist: The Physics

As you scroll, items are sorted from most recent to earliest.

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Digital Wildlife

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2013,” saying that:

So you crave diversity in your music, do you? No other album on this list served up more styles than The Physics’ Digital Wildlife. Take two parts hip hop, one part neo-soul and a rich amalgam of EDM, pop, and R&B, and you have the formula for the most refined Seattle hip-hop record of the year. And I still say “hip-hop” because even though DW‘s influences run the gamut of contemporary musical styles of the moment, its spirit is still grounded in beats and rhymes.

In-house producer Justo betrays his boom-bap roots on tracks like “No Tellin” even as a 21st-century synth pulse lights the way. And rapper Thig Nat’s nonchalant braggadocio and hustle-to-eat aspirant lyrics reveal his deep lineage as an MC, even as he tries his hand at singing on “Fix You” the albums centerpiece track. On Digital Wildlife, The Physics set out to explore the relationship between digital and analog recording techniques and, in the process, created a shining example of how tremendously vital Seattle rap can be.

Digital Wildlife was created in and features appearances from:

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Love is a Business

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2011,” saying that:

A giant leap forward for Seattle hip-hop (and R&B for that matter). The Physics’ Love is a Business was the long-awaited follow-up to the group’s first LP, Future Talk, a record that held many promises for those heads still living in rap’s Golden Era. Love is a Business did have much in common with its predecessor but also moved beyond with a wholly-conceived sound that was more soulful and refined thanks especially to don’t-call-them-back-up singers, Malice and Mario Sweet.

LIAB represents Seattle hip-hop in its most fully-grown incarnation. Thig Natural, Monk Wordsmith, and Justo placed themselves contextually in that realm of maturity where one is still young enough to enjoy a Tuesday night jump-off encounter, but not without a hint of regret at having to face the coming workday on little to no sleep. In these mens’ lives, the intersection of their art, professional careers, and romantic engagements are inseparable, each one informs the other. If there’s any justice in the musical universe someday The Physics will make beats and rhymes for a living, and this album’s description of their current existence will serve as a fond reminder to them of when life was a little less charmed.

Love is a Business was created in and features appearances from:

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High Society

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2009,” saying that:

The trio of Thig Natural, Monk Wordsmith, and Justo captured lightning in a bottle on this EP. Simply put, they found sonic perfection for seven whole tracks. There isn’t another album in Seattle, let alone the entire country, that had me craving more after I got to the end than The Physics’ High Society. If their sophomore full-length delivers the way HS did, we might be looking at the group that could carry Seattle hip-hop (popularity-wise) higher and further than any other.

High Society was created in and features appearances from:

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Wish You Were Here

Wish You were Here is a six-track, 2015 EP from The Physics. Thematically, we find the group asking existential questions, reflecting on age and friends and lovers long gone. Musically, I was immediately struck by the heavy, propulsive drums, floor-shaking bass, and an urgent mood that differs this release from the easygoing vibe of, say, their 2012 album Tomorrow People. There’s a weight of responsibility hovering over these tracks, and in these raps, counterpointed by some gorgeous guest vocals from Shelby Taylor.

Wish You Were Here was created in and features appearances from:

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Tomorrow People

Today is one of those beautiful Seattle days with infinite blue skies and cool breezes, where all you want to do is lay on the grass or drive to the coast with the top down. The perfect accompaniment is The Physics 2012 album Tomorrow People. Contrasting many laptop-produced hip-hop records, here you have a group of musicians riffing and jamming and rapping together. Laid-back, organic, and gorgeous.

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2012,” saying that:

Tomorrow People reaches for a broader context than The Physics’ previous album (last year’s outstanding Love is a Business) without sacrificing any of what makes the group so appealing. Soulful, funky, and beautifully nuanced, TP is 13 tracks of grown-man/woman hip-hop. MCs Thig Nat and Monk Wordsmith are thoughtful, conscious, and raunchy always right when they need to be. And producer Justo and don’t-call-them-back-up singers Malice and Mario Sweet put the finishing touches on each track so they shine at just the right angles. This is a crew with a rare nonchalance that never translates to dull, a sure sign of artists who truly know who they are. There is something for everyone on Tomorrow People. You could play this album for your grandma and she would probably love it, and I mean that in the best way possible.

Similarly, The Stranger selected Tomorrow People as one of the “Top 5 Albums of 2012,” saying that:

“So Funky,” the first track on The Physics’ latest album, Tomorrow People, is, for me, hip-hop in a pure state. It’s spare and it has a big and chunky beat, a raw and rubbery bass, bits of scratching, and no singing or chorus—this is a rapper’s paradise.

Tomorrow People was created in and features appearances from:

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