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Grey

In their annual year-end critics’ poll, The Seattle Times ranked Grey as one of the very best Seattle albums of 2020, saying:

Whether in the booth or on a canvas, Tacoma-area rapper/painter Perry Porter is one of the most consistent artists in the region. (Perhaps you saw his handiwork on Capitol Hill’s Black Lives Matter street mural or custom charity sneakers for Pete Carroll this year.) Here, the talented dual-threat teams with up-and-coming producer OldMilk, leaning more heavily into his cerebral side as he skates lyrical circles around gliding house beats (“Move My Feet”) and the soulful pitter-patter of lead single “Custom.”

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Life Before

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2014,” saying that:

A rich mix of sounds ranging from the heady, airy slap of “In The Wind” to the thick-as-gravy boom-bap “Distant Love.” Sinseer covers his life as he knows it: a quarter-life coming-of-age on wax, informed by love lost and found, and loyalties and promises made to friends that run as deep as familial blood ties.

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Tomorrow People

Today is one of those beautiful Seattle days with infinite blue skies and cool breezes, where all you want to do is lay on the grass or drive to the coast with the top down. The perfect accompaniment is The Physics 2012 album Tomorrow People. Contrasting many laptop-produced hip-hop records, here you have a group of musicians riffing and jamming and rapping together. Laid-back, organic, and gorgeous.

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2012,” saying that:

Tomorrow People reaches for a broader context than The Physics’ previous album (last year’s outstanding Love is a Business) without sacrificing any of what makes the group so appealing. Soulful, funky, and beautifully nuanced, TP is 13 tracks of grown-man/woman hip-hop. MCs Thig Nat and Monk Wordsmith are thoughtful, conscious, and raunchy always right when they need to be. And producer Justo and don’t-call-them-back-up singers Malice and Mario Sweet put the finishing touches on each track so they shine at just the right angles. This is a crew with a rare nonchalance that never translates to dull, a sure sign of artists who truly know who they are. There is something for everyone on Tomorrow People. You could play this album for your grandma and she would probably love it, and I mean that in the best way possible.

Similarly, The Stranger selected Tomorrow People as one of the “Top 5 Albums of 2012,” saying that:

“So Funky,” the first track on The Physics’ latest album, Tomorrow People, is, for me, hip-hop in a pure state. It’s spare and it has a big and chunky beat, a raw and rubbery bass, bits of scratching, and no singing or chorus—this is a rapper’s paradise.

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Late

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2011,” saying that:

Producer 10.4 Rog’s beatific sense of rhythm and electronic adornments made for the perfect counterpoint to The Good Sin’s grounded, low-pitched raps on getting by financially and romantically when success with both endeavors seems fleeting. I recall downloading this free album right around the time Odd Future’s proverbial cream was rising to the top and, upon listening, was happy to experience a different type of hip-hop escape: Finding a relatable and comfortable space of existence between Rog’s airy atmospherics and Sinseer’s lyrics on the everyday struggle. For most listeners in Seattle, this was a formal introduction to both producer and MC. Late set an incredibly high standard for these promising young artists whose stars are still rising.

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Ready For Life

Hmmm... There's not a lot of information about this project in the museum encyclopedia. We'd love your help! TOWN LOVE is maintained by an awesome community of passionate volunteers who keep it all up to date.

Do you know something about the history of this record? Do you have a favorite lyric or a favorite memory? Send us an email on why this is one of the great hip-hop albums from the Northwest. Thanks!

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