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Love, Love? Love.

Someone recently described Seattle to me as an exhausting place where everyone is trying to out-cool everyone else. I wonder if Isabella Du Graf was feeling those vibes when she wrote the chorus of her latest single, “All The Different Ways.” In it she sings, “Take off your cool, let me show you, all the different ways I could love you.” For those unfamiliar with this record, Du Graf’s music occupies a terrain somewhere between jazz and R&B, while also dipping her toes in Seattle hip-hop, on local tracks as featured vocalist, guest performer, and producer. Her body of work speaks to the ongoing malleability of music is this town. The aforementioned “All The Different Ways,” channels a space-jazz sound reminiscent fellow local chanteuse JusMoni, while “Looking All Around” shakes a Motown dance floor. Both are tracks from Love, Love? Love.. an album that it appears is being assembled in real-time, with new songs added to SoundCloud every few weeks. (Current track count: 6) It’s perfect music for a sunny Saturday afternoon like this one.

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The Alhambra Collabs

The Alhambra Collabs is a 2016 compilation mixtape from Jarv Dee and DJ Rocryte, exclusively streaming on SoundCloud. It collects together a bunch of Jarv’s appearances on other people’s tracks, demonstrating both his dominance on the scene and acting as a who’s who of Seattle hip hop (Featuring Kung Foo Grip, Nacho Picasso, The Physics, Gifted Gab, Katie Kate and many more) Here, Jarv flies in with the superhero verse and is often accompanied by his loyal sidekick, Mary Jane. Rocryte uses his terrific turntablist chops to scratch these tracks into one continuous 45-minute mix. Head over to SoundCloud to hear the magic for yourself.

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Wish You Were Here

Wish You were Here is a six-track, 2015 EP from The Physics. Thematically, we find the group asking existential questions, reflecting on age and friends and lovers long gone. Musically, I was immediately struck by the heavy, propulsive drums, floor-shaking bass, and an urgent mood that differs this release from the easygoing vibe of, say, their 2012 album Tomorrow People. There’s a weight of responsibility hovering over these tracks, and in these raps, counterpointed by some gorgeous guest vocals from Shelby Taylor.

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Barkada

I’m spinning this 2014 collaboration, Barkada, from Prometheus Brown (aka The Blue Scholars’ Geologic) and Bambu. Here’s a record that has become more relevant with age, with lyrics that deeply consider West Coast identity, immigration, the origins and future of America, protests and police; themes on the forefront of front pages during these first few months of 2017. These themes are communicated via a deeply playful playbook of technical prowess: “Coming (To America)” is almost exclusively built around with words that end with “o,” while opener “Live from Hawaii” contains more words than you could imagine that contain “bar-…” This is a fun album, ingenious and subversive. Hook your headphones up to it today. Also, I love the Photoshopped “record wear” effect on this cover art.

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The Otherside

The Otherside is an hour-long documentary predominantly covering Seattle’s Capitol Hill-centric “third wave” hip-hop scene, circa 2010. This was a time when MP3s and streaming were fairly new and completely reshaping the music industry. Artists like Blue Scholars were experimenting with Kickstarter and direct fan support. Everyone was trying something new.

There’s a wealth of great interviews, concerts, and backstage footage from artists across the Town. There are hella people in this movie. It’s clear the filmmaker tried to talk with anyone and everyone who was willing. There are some great long chats with Jake One, Prometheus Brown, and Sir Mix-A-Lot. There’s also lots of footage of pre-stardom Macklemore & Ryan Lewis as they prepare to drop The Heist.

Larry Mizell Jr. offers up a four-point guide to being successful in the Northwest: “Be truthful to yourself. Be respectful and knowledgeable of what’s going on and what came before you. Be good: Work on your craft. Further the culture at all times.”

The Otherside premiered at the Seattle International Film Festival and was an audience favorite, selling out two consecutive screenings. It was also chosen as “Best of SIFF” by festival programmers.

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Digital Wildlife

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2013,” saying that:

So you crave diversity in your music, do you? No other album on this list served up more styles than The Physics’ Digital Wildlife. Take two parts hip hop, one part neo-soul and a rich amalgam of EDM, pop, and R&B, and you have the formula for the most refined Seattle hip-hop record of the year. And I still say “hip-hop” because even though DW‘s influences run the gamut of contemporary musical styles of the moment, its spirit is still grounded in beats and rhymes.

In-house producer Justo betrays his boom-bap roots on tracks like “No Tellin” even as a 21st-century synth pulse lights the way. And rapper Thig Nat’s nonchalant braggadocio and hustle-to-eat aspirant lyrics reveal his deep lineage as an MC, even as he tries his hand at singing on “Fix You” the albums centerpiece track. On Digital Wildlife, The Physics set out to explore the relationship between digital and analog recording techniques and, in the process, created a shining example of how tremendously vital Seattle rap can be.

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Tomorrow People

Today is one of those beautiful Seattle days with infinite blue skies and cool breezes, where all you want to do is lay on the grass or drive to the coast with the top down. The perfect accompaniment is The Physics 2012 album Tomorrow People. Contrasting many laptop-produced hip-hop records, here you have a group of musicians riffing and jamming and rapping together. Laid-back, organic, and gorgeous.

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2012,” saying that:

Tomorrow People reaches for a broader context than The Physics’ previous album (last year’s outstanding Love is a Business) without sacrificing any of what makes the group so appealing. Soulful, funky, and beautifully nuanced, TP is 13 tracks of grown-man/woman hip-hop. MCs Thig Nat and Monk Wordsmith are thoughtful, conscious, and raunchy always right when they need to be. And producer Justo and don’t-call-them-back-up singers Malice and Mario Sweet put the finishing touches on each track so they shine at just the right angles. This is a crew with a rare nonchalance that never translates to dull, a sure sign of artists who truly know who they are. There is something for everyone on Tomorrow People. You could play this album for your grandma and she would probably love it, and I mean that in the best way possible.

Similarly, The Stranger selected Tomorrow People as one of the “Top 5 Albums of 2012,” saying that:

“So Funky,” the first track on The Physics’ latest album, Tomorrow People, is, for me, hip-hop in a pure state. It’s spare and it has a big and chunky beat, a raw and rubbery bass, bits of scratching, and no singing or chorus—this is a rapper’s paradise.

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Love is a Business

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2011,” saying that:

A giant leap forward for Seattle hip-hop (and R&B for that matter). The Physics’ Love is a Business was the long-awaited follow-up to the group’s first LP, Future Talk, a record that held many promises for those heads still living in rap’s Golden Era. Love is a Business did have much in common with its predecessor but also moved beyond with a wholly-conceived sound that was more soulful and refined thanks especially to don’t-call-them-back-up singers, Malice and Mario Sweet.

LIAB represents Seattle hip-hop in its most fully-grown incarnation. Thig Natural, Monk Wordsmith, and Justo placed themselves contextually in that realm of maturity where one is still young enough to enjoy a Tuesday night jump-off encounter, but not without a hint of regret at having to face the coming workday on little to no sleep. In these mens’ lives, the intersection of their art, professional careers, and romantic engagements are inseparable, each one informs the other. If there’s any justice in the musical universe someday The Physics will make beats and rhymes for a living, and this album’s description of their current existence will serve as a fond reminder to them of when life was a little less charmed.

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The Beautiful Baby EP

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4 The Love of Music

Imagine a family reunion where everyone is there. I mean everyone. That means you get to see grandpa captivate people with his charm and wit, and you can hear a few of the aunts harmonizing a lovely new song they just made up, but you may encounter some not-so politically correct language from certain relatives. 4 The Love Of Music contains 17 tracks from across the family of rap and hip hop in the Emerald City as it existed when this comp was released in 2010. The expert curation by Tendai Maraire places tracks by superstars like (his own band) Shabazz Palaces, Macklemore, and Sir Mix A Lot, alongside offerings by other artists familiar to fans of Seattle hip hop. Thee Satisfaction contributes “Queen Supreme” and The Physics give us “Booe’d Up.” Fresh Espresso’s “Sunglasses On” stands out for its synthwave aesthetic, while “What Up Pimpin” by Draze is impossible to dislike, it’s simple and catchy. Unfortunately, there are too many more artists to name them all, but I must mention “Can’t Stand The Reign” by Mash Hall. Clocking in at five minutes and thirty-six seconds, this track is mysterious and inventive, calling to mind a hallucinatory Harmony Korine movie soundtrack. 4 The Love Of Music is one of the most complete assemblies of Seattle’s diverse rap community, and this compilation is a must-own. (This review was submitted by reader Novocaine132.)

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Town Biz Mixtape

No list of essential Seattle hip-hop compilations would be complete without the inclusion of Jake One’s 27-track opus, the Town Biz Mixtape. He dug deep into the crates, surfacing lost hits, deep cuts, and the finest local hip-hop spanning more than 20 years. (From 1989 to 2010, when this CD was released.)

The mixtape is an essential playlist that surfaces forgotten gems and unexpected bangers. My favorite track here is Vitamin D’s “Who That??” feat. The Note (from Narcotik), but there are so, so many solid tracks. Everyone’s on this, from Blind Council to Mash Hall, The Physics, Tay Sean, J. Pinder, and Shabazz Palaces. Listening to Town Biz will leave you realizing how blessed we are to have so much musical talent in our own backyard. But we knew that already, didn’t we? Thanks to Jake One for compiling this so we can spin it on a sunny summer afternoon and feel hella proud.

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From Slaveships to Spaceships

From Slaveships to Spaceships, a 2009 release from Khingz is a Soufend gem of the Seattle hip-hop canon, and seriously, go listen to it right now on your streaming service of choice. It opens with a strong series of strings stabs, and a defiant definition of “The New Blaq.” Many songs here are meditations on the meanings of freedom, of blackness, and identity. The soul samples of “Reach In” channel the best Kanye production, and the verses throughout, the bared soul and sensitivity channel him, too. In 2009 this was one of 206UP’s albums of the year, and I’m not surprised. It’s a recent discovery for me and has quickly become one of my favorites of this whole summer, shaking my car speakers. The sexy-ass bass line on “Blaq Han Solo” will have you fantasizing about that girl you just want to eat nachos with, who you’ve been wanting to call, and just then, at the end of the song, it breaks into a phone call where Khingz is doing just that. Both Gabriel Teodros and Justo add some featured magic. There’s so much I love here: the rapid-fire spitting on “Hydroplanin,'” the reversed guitars on “Electric Tantra,” and the beat “Grillz, which is killer, but frankly, this whole record is off-the-charts good. I could itemize why every song is a banger, but really just go listen to it for yourself.

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High Society

Seattle hip-hop blog 206UP picked this record as one of the “Top 10 Albums of 2009,” saying that:

The trio of Thig Natural, Monk Wordsmith, and Justo captured lightning in a bottle on this EP. Simply put, they found sonic perfection for seven whole tracks. There isn’t another album in Seattle, let alone the entire country, that had me craving more after I got to the end than The Physics’ High Society. If their sophomore full-length delivers the way HS did, we might be looking at the group that could carry Seattle hip-hop (popularity-wise) higher and further than any other.

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Music: Soul of The Man

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Joe Metro

Hmmm... There's not a lot of information about this project in the museum encyclopedia. We'd love your help! TOWN LOVE is maintained by an awesome community of passionate volunteers who keep it all up to date.

Do you know something about the history of this record? Do you have a favorite lyric or a favorite memory? Send us an email on why this is one of the great hip-hop albums from the Northwest. Thanks!

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