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Reigncraft, Volume 5: Process of Progress

In 2003 and 2004, executive producer KNDNM assembled and released four Seattle rap compilations under the title Reigncraft. In 2005, the fifth volume in the series stepped up to the plate. RC5: Process Of Progress shows that there was no shortage of hungry hip-hop fiends who wanted exposure. “Real Life” by Grynch is clever, as producer Referenz uses the (hot at the time but now quite vintage) sped-up soul sample technique to bring emotion into his chorus. “You don’t gotta be in jail to be doing some time,” raps Grynch, meditating on the power of a positive or negative attitude to change our outcomes.

Two tracks on Process Of Progress are produced by Northwest stalwart Bean One. “They See Me” by Framework is outstanding, listen for the Ofra Haza accoutrements. The song appeared on Frame’s terrific 2005 album Hello World. On “They See Me,” he employs concise, descriptive phrases for his verses, and even tosses in references to other rap songs. “Girl was in the cut, backing it up to Joey Crack’s Lean hit,” and also, “baby shaking it fast like I was Mystikal.” The other Bean cut is “Make A Hit,” by Damian Black who effortlessly distributes the smoothest rhymes ever, like a poker dealer whipping cards around the table. “Well, go ahead and say I’m cocky, but nothing you say will ever stop me, nothing you say will ever top me, nothing you do will ever drop me, just sit back go ahead and watch me, take some notes go ahead and copy.”

For explicit sex talk, look to “Don’t Front” by Twin G. I must admit that the chorus of Aquino’s “Left Coastin” gets me every time. “We pop shots cause we got to, I guess that makes us a pop crew,” with cutting and scratching to enhance the effect. I would have leaned in and titled the song “Pop Crew.” The Block Burners drop a serious heater titled “Big Bank.” At first the song seems overly basic, but different elements weave in and out while the MCs rip the mic. By the end of “Big Bank” you just want to rewind and listen again. Five volumes is a huge accomplishment for Reigncraft, and they weren’t even done yet. Written by Novocaine132

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The Sport-N-Life Compilation Vol. 1

Sportn’ Life Records launched in 2002 with a two-song, twelve-inch rap single. The A-side was called “We Are” by Last Men Standin, and the cut lyrically served as a rectangle-sticker-on-their-chest introduction to the group and the label. The single’s B-side was by Danger, later known as D. Black and now Nissim Black, and titled “You Need A Thug.” Both tracks were produced by Vitamin D of Tribal Productions fame. Sportn’ Life co-founders Devon Manier, Emery “Slim” Buford, and Jamal Henderson quickly began to attract talent, and in 2003 the label put out a massive collection of Seattle hip-hop called The Sport-N-Life Compilation Vol. 1, containing twenty one tracks.

Let me apologize ahead of time to some of the fine artists that I will not have time to mention, there are too many tracks here to cover them all. Danger and Fatal Lucciauno start things off with their excellent “Make A Change.” Both performers have an economic way of rapping, using supply and demand to create phrases, sentences, and verses of extreme value.

The aforementioned Vitamin D carries some weight on Compilation Vol. 1, producing four cuts on the CD. Besides the two songs from the 2002 Sportn’ Life single which both appear here, Narcotik’s easy-paced Seattle classic “Chips To A Cell” from the group’s 1995 album Intro To The Central is also featured. Vitamin’s own track “Pimp Of The Year,” is yet another example of his talent both in the booth and twisting the knobs.

Producer J Bellamy gets flutey on J. One’s pop-sounding “Tonight,” featuring a short rap by Wojack and vocals by Sophia. “No Ordinary” by Footprints is one of my favorites of the whole set. “The rumor is I’d make a million overseas. America, she’s so hard to please,” is one of Proh Mic’s effortless lyrics. Mall Saint also entertains with “Caught In The Red,” showing off his very unique, speedy rapping style.

Three huge names finish the long compilation, Silent Lambs, Fleeta Partee, and Candidt. Sportn’ Life managed to accomplish so much with this ambitious CD. The thoughtful project brought together artists who may not have otherwise appeared together, which added so much character to the listening experience. I would be remiss if Bean One did not get a shout out too, for producing over a dozen beats on Compilation Vol. 1. Written by Novocaine132

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