A film about Northwest hip-hop from 2009
Reigncraft Volume 8: Sweat Equity
The final numbers are rather impressive! Seven years. Eight CDs. One hundred and sixty songs! Reigncraft was a networking experiment that released compilations of Northwest hip-hop artists from 2003 until 2009. Reigncraft Volume 8: Sweat Equity is the final chapter of this deep Seattle journey. As with the other volumes, everything on the CD is hot, but I will focus on just a few of my favorites to save space.
Billy The Fridge shouts out Reigncraft 8 on his bouncy track “Cadillac Rollin Fat.” This song was later remixed with verses by Barfly and Gatsby, but here you get three entertaining verses by Fridge. From my years of listening to this artist, I have concluded that while many rappers use words simply to communicate, Fridge instead kaleidoscopes the English language in his quest to entertain. He is the Willy Wonka of Seattle hip-hop, and if you haven’t yet experienced Billy The Fridge, you are in for a treat.
Artist LaRue calls for racial unity and solidarity with the track “Rise Up,” and the positive message here is resounding. Sometimes you need a reminder of what’s important in life. The late Zig Ziglar gave us a relevant quote to chew on, “People often say that motivation doesn’t last. Well, neither does bathing, that’s why we recommend it daily.” To me, tracks like “Rise Up” gain value as the years go by, while other materialistic or violent songs become obsolete.
“The Myth” by Fatal Lucciauno is a heavy duty tour de force. The beat by B.Brown is grand, evoking the pomp and circumstance of Dr Dre’s masterpiece 2001. Fatal shows why he is perhaps the most complex lyricist ever to emerge from Seattle. “Fixed everything from horse races to court cases,” he boasts. Fatal’s work carries the somewhat divine authority of a writer who wastes no words. Each word and phrase in “The Myth” is there for a reason, fate demands it.
With a sophisticated beat by Mr. Hill, and lyrics of velvet by Candidt, “Life Of A Emcee” might be competing with Greasy Earl’s “New Earl Order” as my favorite Reigncraft track of the entire series. Candidt makes rapping look effortless, and he threads an important needle that many MCs can’t. What I mean is he puts excitement and drama in his voice, but doesn’t have to raise the volume to do so. Additionally, he doesn’t fall in to the common lyrical trap of rote recitation, so “Life Of A Emcee” feels unrehearsed and spontaneous. Congratulations to the series executive producer KNDNM, and to all the artists who ever contributed to Reigncraft. Written by Novocaine132