A film about Northwest hip-hop from

NEWCOMER

This 82-minute feature film is an intimate introduction to Seattle’s vibrant hip-hop underground. It was assembled from hundreds of tiny performance clips—shot for Instagram—into a single, continuous concert mosaic, and stars 93 of the top hip-hop artists from The Town.

Here’s how KEXP describes it in their review: “NEWCOMER stretches the idea of the concert film to an artistic extreme: Sub-minute snippets artfully arranged to resemble a field recording of Seattle’s rap scene, the pieces fractured and pieced back together in a truly engrossing way. The narrative flows through venues like Barboza, Cha Cha Lounge, Vermillion, Lo-Fi, the Showbox, the Crocodile, and dozens more. It’s Khris P pouring Rainier into a Solo cup while he raps; bodies packed into regional landmark ETC Tacoma; SassyBlack improvising a song urging concertgoers to buy her merch; the delightfully awkward dance moves of white people in KEXP’s Gathering Space; Chong the Nomad beatboxing and playing harmonica simultaneously; Bruce Leroy bullying a beat next to the clothing racks at All-Star Vintage; Specswizard rhyming about his first time performing in front of a crowd while standing before The Dark Crystal playing on a projection screen. The film is about the moments we experience—as lovers of live performance—just as much as the performances themselves.”

NEWCOMER was directed by Gary Campbell and was an official selection at the 2020 New York Hip-Hop Film Festival and the 2020 Golden Sneakers International Hip-Hop Film Festival in Hamburg, Germany. Throughout November 2020, the film screened for four weeks on the Northwest Film Forum theatrical screening site in honor of Hip-Hop History Month.

You can watch the full movie below.

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A film about Northwest hip-hop from

Lose Sight of The Shore

Shout out to local group New Track City whose latest release is currently charting in the top 12 of the NACC college airplay charts, alongside Kendrick and Jay-Z. When you hear Lose Sight of The Shore it’s no surprise to hear they’ve been traveling across the nation playing venues in LA, Chicago, and Fargo, North Dakota in support of this sensational record. Opener “Right Now” builds on a bed of vocals from the ever amazing Falon Sierra, before dropping verses from dueling rappers Bem and Chi.Stone. Each emcee has honed a uniquely solid style, and their constant counterpoint is what makes this album so special. Past releases have relied heavily on samples: With this one, they challenged themselves to maintain their signature sound with original performances, and I’d say they were more than successful: The exercise elevates their sonic landscape, with production that is gorgeous, rich, viscous, sticky stock, rolling bass, and bright horns. Spin a track like “Close” or “More and more” or “Judgement” and you’ll see what I mean. Rarely am I sitting on my couch at home waving my hands in the air, but that’s the sort of participatory devotion this record commands. It’s on all the streaming services. This is easily one of my favorite releases of the year, and I suspect when you check it out it will be one of your favorites, too.

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A film about Northwest hip-hop from

Solar Power: New Sounds in Seattle Hip-Hop

From UK music mag The Wire: “Fab comp on fab orange vinyl collating 14 leap-off points from a loose collation of Seattle based hip-hop artists and producers. The musical diversity here is ear-popping, ranging from the glitchy dubhop femme-gospel of DoNormaal and Stas Thee Boss and the electro ferocity of Remember Face to the rain-soaked doleful grooves of Jarv Dee. Crucially, the racial and gender mix ensures that the story told never gets dull; the album chops and changes to give an intriguing portrait of 14 artists you’ve never heard before finding their own ways to chart Seattle life and Seattle strength through hip-hop. Fascinating.”

From Michigan alt-weekly Northern Express: “This compilation, complete with its appropriately solar flare-focused cover art, brings together more than a dozen performers from Seattle’s hip-hop scene on a transparent, vinyl-only collection that gives these impressive artists the flair they deserve. Included here are tracks by Jarv Dee, who throws down an unforgettable remix of “I Just Wanna”; Gifted Gab, who mixes up R&B and late ’80s rap-pop on “Show You Right”; and Sendai Era, whose tropicália-influenced closer is an album standout.”

From Dusty Groove Records in Chicago: “A nice primer on the underground hip-hop scene in Seattle, circa the post-millennium teens! Solar Power doesn’t really set out to round up a succinct snapshot of a particular Seattle style and sound, so much showcase how diverse and distinctive the voices and producers in the city are. This compilation has the potential to survive as a pretty vital time capsule of this era in Seattle hip-hop history. It’s a lot more gender inclusive than many compilations, too, showing that it isn’t just a boy’s club – and tracks includes “Know Better” by New Track City, “Stop Calling My Phone” by Taylar Elizza Beth, “Front Steps” by Raven Hollywood, and more on colored vinyl.”

From Portugal’s Rimas E Batidas hip-hop magazine: “A new hip-hop edition with 14 tracks of emerging talent. Solar energy is the motto given to this compilation: The idea that Seattle stays true to its past while using its own strength as fuel for the change and renovation of its artistic panorama. This sonic self-sufficiency, a unique sonic imprint for the city, recalls the old glory of grunge, but it’s now in rap that this engine lies, emerging from a more underground, carefully manufactured sector, in the cellars and abandoned factories that will thrive there for not much longer. DoNormaal, Astro King Phoenix, Stas Thee Boss, ZELLi or JusMoni give voice to the manifesto of a constantly changing movement across the city.”

From Jet Set Records, in Kyoto, Japan: “Out of the city where Shabazz Palaces, Blue Scholars, Macklemore and Sir Mix-A-Lot made their base and their mark, a 14-song limited-edition compilation on orange vinyl. From emerging label Crane City Music, this one introduces you to the current Seattle hip-hop scene. The musicians explore various experimental styles, ranging from R&B to G-Funk. Seven of the tracks are from women artists. The jacket artwork by Seattle artist Ari Glass is also brilliant along with the content.”

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A film about Northwest hip-hop from

The Damn Gina Tape

In the TV show Martin, star Martin Lawrence would often express, “Awww Daammnn Gina” when something in his world was absurd, shocking, or upsettingly great. A thing that’s on fire. It’s no coincidence that New Track City’s latest is called The Damn Gina Tape, and it’s not just the sensational single “Ain’t the Same” with the menacing midsection and a vibe that will have you moving and then drops you into “HustleMan.” This record is spectacular. On the fifth track, “The Secret to Happiness” they rap: “Everything You Cling To Is Dead Weight.” It’s a great description of everything you’ve heard before this. Here’s a crew flexing some brand new muscle on the local scene. Great f-ing drums on this one. I always listen to the last track “A Groove” twice. What an amazing beat! It’s mind-bending. Wait, three times!

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