A film about Northwest hip-hop from

Lollipop Girl

In 1990, Tacoma’s Bobby G dropped his debut single “Jam Do The Electric Slide” on cassette and twelve inch. “Lollipop Girl” in 1992 is his second release and came in both formats as well. There are three love songs on this one, it seems Bobby G found his lane and he stuck to it.

Starting the A side is the six minute long “Lollipop Girl.” A slow, romantic synthy beat pushes the track along at an easy pace. Bobby G sings several verses about his perfect girl while a woman’s voice giggles in the background. At about three minutes in, there is a short, earnest rap by Harold “Video Villain” Johnson. His perfect match is described as, “Sugar and spice, everything nice, she makes my heart melt like ice.” According to the credits, another rapper named MC Psycho appears on the full LP but not on this single.

Next is “Just Me And You,” a straight-ahead New Jack Swing track in the style of New Edition. Bobby G sings more verses about being in love, practically begging the girl to get together with him. “Sweeter Than Candy” is the B side, and has almost the exact same beat as “Just Me And You.” This one has a rap in the middle too. “I need a woman to treat me right, not the kind of female to argue and fight,” rhymes Video Villain. According to Discogs, Bobby G only put out two singles and no full length album. Sorry MC Psycho, maybe next time. Written by Novocaine132

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A film about Northwest hip-hop from

Jam Do The Electric Slide

Tacoma’s rapidly expanding early ‘90s hip-hop scene was partially the result of its close proximity to Fort Lewis, only nine miles south. The military base was home to a large population of Black servicemen from all over the country: That’s where Bobby G. and The G.S.E. Posse got their start.

“Jam” is a fun tune built around two simple elements: A catchy hook repeated often, and an invitation to crowds in various American cities and states to “Do The Electric Slide,” a dance move popularized in the ‘80s, where, with a sidestep, you’d face each of the four walls of the room. The move was later adopted by both B-Boys and the country music line dance community, making this single almost a perfect party record for any audience or occasion.

Bobby G spends most of the tune listing off American cities individually—Miami, New Orleans, St. Louis, Houston, LA, Portland—and inviting them to show off their electric slide while bopping to these “hardcore grooves from T-Town.”

Musically, this song is as much James Brown soul as it is hip-hop, lots of talk-singing accompanied by a seemingly endless funk jam, but with the addition of scratched vocals and posse shoutouts.

This vinyl single contains five edits of what is essentially the same song. The B-side includes an instrumental version and a vocals-only version for DJs, while “Jazzy D’s Version” flips the instrumental by adding five minutes of solo saxophone performance on top.

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