A film about Northwest hip-hop from

Top 10 Songs

Throughout the ’90s, writer Novocaine132 extensively covered the Seattle hip-hop scene. You’ll find his byline on feature stories and record reviews in both The Rocket and The Stranger, and he contributed to the marketing of several Tribal and Loosegroove releases, too.

Over the past few years, he’s been posting a series on YouTube called Top 10 Songs where he digs deep into the work of a particular Seattle rap legend, surfacing the not-to-be-missed songs from their catalogs. Whether or not you agree with the specific choices, each video provides a great overview of each artist’s career and there are lots of audio samples so you can hear what each song sounds like.

He adds, “The project began in 2017 when I heard that Wordsayer had passed away. At the time I was retired from music and print journalism, and I was concentrating my efforts on documentary filmmaking. When Jon died it hit me very hard, and I had to evaluate my life and my work. He and I were good friends in the 1990s, and he inspired much of my work in the area of hip-hop writing. I made a Top 10 Songs video of Source Of Labor at the end of 2017 to help deal with the pain of losing Wordsayer. Then in 2018, I made one for Ghetto Chilldren, and it started to become a series. I named my enterprise “Overstanding Seattle” to give tribute and honor to Jonathan Moore, one of the most truly amazing musicians I have ever known.”

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A film about Northwest hip-hop from

The Revival

Hindsight, as they say, is 20/20. For example, check this great live document I slept on. The group is Seattle’s Beyond Reality, playing a hype show from way back in April 2001.

Back then, Source of Labor’s Wordsayer (also the business and romantic partner of Beyond Reality’s Kylea) used to put on a weekly hip-hop workshop and jam session at the local live venue Sit n’ Spin, called Sureshot Sundays. Every Sunday afternoon, the local hip-hop community would congregate at the cafe/club/laundromat(!) to spin, break, emcee, and just get together.

Being the shut-in hermit that I am, I regrettably never attended, although I used to try to screw up my courage every Sunday to head on down the hill from my apartment to the Belltown spot to get my muddy-ass beat tape heard.

However, since I was just starting out I felt like I’d be in over my head amidst all the “true” hip-hoppers…. like I said earlier about hindsight…

In any case, Sureshot Sundays closed up shop probably a decade ago now, but this release is a snapshot of what it must have been like. Kylea is joined on the decks by Topspin and Kamikaze, and Wordsayer joins on the mic here and there. Incredibly live and overflowing with solidarity and positivity (not to mention the stellar flows of Kylea), this album just makes me regret more not getting my burned-out ass down the hill to the Sit n’ Spin to be a part of it all. It’s a dope record, full of tracks never released otherwise, in professional sound quality.

Beyond Reality was supposedly set to drop a studio record in 2001, and as far as I know that never actually happened. Apart from a few early singles and compilation cuts, and the 2008 A Soul’s Journey CD, this is as close as you get to the classic BR sound. (This review originally appeared on the Bring That Beat Back blog and was written by Jack Devo.)

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A film about Northwest hip-hop from

Balance

S.O.L. is the embodiment of Northwest hip-hop. They’ve been staples in the scene here for as long as I can remember. Emcee/school teacher Wordsayer was at all the functions; I’d see him at every single show and battle. Since ’95 they’ve been puttin’ it down on wax, and I assume they’ve been around for longer than that. This is their second release, from ’96, and features DJ Kamikaze, emcees Wordsayer and Blahzay Blah, and beatmaker Negus I.

It’s a strange record. The songs “Balance” and “Galaxies” are fully represented with vox and instrumental versions (“Galaxies” has a remix as well), but there are snippets included of three other songs I haven’t been able to find anywhere in their full versions. “Easy” showed up in a different form on their full-length album from 2000, but the version found here, along with “Sailing” and “50¢” have long eluded me. Eight tracks of hard labor. (This review originally appeared on the Bring That Beat Back blog and was written by Jack Devo.)

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