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Tag: Nomad

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Art Of Da Griot

Nomad dropped his first cassette single in 1996, with “What Is Hard Core?” and “Windy City Hustle,” both produced by local hip-hop legend Mr Supreme. Then in ’98 Nomad released a twelve-inch featuring “Da Movement,” and “Blessed 2 Mic Check.” “Da Movement” brought DJ Sayeed on board, with his dissonant unique approach to beatmaking. Next in the run of Nomad singles was the three-song Sedated Thoughts maxi in 2000, including beats by three of Seattle’s most prolific producers, Jake One, Bean One, and Proh Mic. The following year saw a fourth single, “Worldwide,” with “Divine Rhymer” on the B-side.

Finally, after five years of singles he released a full album titled Art Of Da Griot, and expanded his name to the pleonastic Nomad Da Nomadic. “Griot” is a word used commonly in West Africa that translates loosely as “storyteller.” Art Of Da Griot features many of the earlier singles, including “Blessed,” “Sedated,” “Who Me,” “Worldwide,” and “Divine.” Because there are so many different producers, Nomad gets to show off his lyrics to a variety of different soundscapes, which makes for a compelling listening experience, never boring.

New material on Art Of Da Griot includes “Extortion” which starts with the tick, tick, tick from Kraftwerk’s 1978 electronic hit, “Man Machine,” and then unfolds with groovy momentum. The informative “206 / 101” is just like it sounds, an entry-level college course about the pros and cons of life in Seattle as a young Person of Color. “Locked up downtown, King County jail, like a rite of passage for every black male,” he observes. “Ill-Literate” stands out for its wavy, choppy beat and seasoned wordplay from Nomad. He often mentions “paying dues” in his lyrics, and it must have worked for him. He had risen to the top of the rap game in 2001, and the star studded credits on his tracks are all the evidence we need. Written by Novocaine132

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Sedated Thoughts

From 2000, this is the sophomore 12″ by Seattle emcee Nomad da Nomadic. This is one of my personal favorites in the 206 section. Nomad is a Northwest cat through and through–his flow is heavy-footed and grimey, and the top-notch beats on these three tracks (by Jake One, Bean One, and Proh Mic) are mid-tempo, dusty, and rough.

There are no tricks here. No ironic raps in double-time, no clever pop-culture samples, no guests emcees to dilute what he has to say. Nomad delivers his message straight to your head in plain language. This release sums up what I love about the old-school Northwest scene: In an era of hip-hop known for its unchecked expansion and wild experimentation, this record remains understated, direct, and wholly refreshing because of it. (This review originally appeared on the Bring That Beat Back blog and was written by Jack Devo.)

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Blessed 2 Mic Check

Blessed 2 Mic Check, the wax debut from Nomad Da Nomadic, is a quintessential slab of NW wax, and in many ways typified the Seattle area hip-hop scene in the late nineties. What that means is basically it was hella dope and you missed it. With production by Mr. Supreme on the title cut, and DJ Sayeed and DJ Swift on the two B-sides, this record is sonically tight – especially Sayeed’s track “Da Movement,” which happens to feature Sayeed’s group Black Anger. “Shantae,” Swift’s slower number, comes with its own bonus, as it’s blessed by local heroine Felicia Loud on the hook. Nomad has no problems holding his own amid all this greatness, and in fact, his direct and gritty flow is surprisingly complimentary to the bombastic delivery of Black Anger and Felicia’s gorgeous crooning. Likewise, the beats fit Nomad’s style perfectly, especially Swift’s dark and sedated track, with its murky organ and vibe loops. From here, Nomad went on to release a couple 12″s in 2000 and 2001, as well as a full-length in 2001. His entire output is strong and worth tracking down. (This review originally appeared on the Bring That Beat Back blog and was written by Jack Devo.)

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Classic Elements

Classic Elements was released by Olympia’s K Records in 1998. It contains tracks by sixteen Northwest hip hop artists, including some certified legends. The lyrics are consistently excellent throughout the compilation. These are songs for the mind, and many are vignettes in the true sense of the word, a good example being the captivating saga contained in “A.N.I.T.A.” by Nobody. The production on Classic Elements glows softly like a vintage Edison light bulb. DJ Sayeed (Black Anger) and Brian Weber (Dub Narcotic) both play a large role in shaping the sound of this compilation. Mr. Supreme drops a sublime Twin-Peaks-esque beat for Jace on “What’s Ya Definition,” and Topspin captures a tempest in a teapot with his beat for “Sleep” by Sinsemilla. Every track on this compilation is a genuine artistic expression, and that carries some risk because the performers put their feelings out on display which renders them vulnerable to misunderstanding, or worse, indifference. One of the highlights is “Hip Hop Was” by Ghetto Chilldren, which shines with professional polish among some of the dustier tracks. When you include a track by Source of Labor with Beyond Reality, “Aunt Anna,” and a couple of underground heat rocks from Silas Blak, “Only When I’m High,” and “Blak And Blind,” there’s every reason to make sure this compilation is part of your music collection. (Written by Novocaine132.)

Here’s another take:

Like the four leaves on a lucky clover, four ’90s era Seattle compilations showcase the diverse hip-hop collectives in Washington State and with them your windfall of sounds and explorations: Do The Math, 14 Fathoms Deep, Walkman Rotation, and here, Classic Elements (co-released by Impact Entertainment and K Records). Back then getting the handful of cassettes and comps was a great thrill, and the Seattle area offered up the best. Classic Elements was released at a time when the main place to hear local hip-hop was on the street at Westlake Center or on KCMU’s Rap Attack. Like the title, the classics here are Ghetto Chilldren, Source Of Labor, Black Anger, and Tilson, all offering hits that transcend national radio rap and bring a better class of words and thoughts. Some groups won’t be found outside of this collection – Nobody, Jaleel, 5E, Ski, and Arson have songs that play smooth and timeless. Classic Elements is as relevant today as it was twenty-some years ago. Released on cassette, CD, and on an abbreviated LP – Find it, get it. Good! (This review was submitted by reader Brett Sandstrom.)

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Windy City Hustle

Michael Lord was an audio engineer in the 1980s and 90s who created a recording studio in the Lake City Way neighborhood of Seattle. He ran ads in the Rocket magazine and many different groups paid him to give their music that “professional” sound. Some of his hip-hop clients included Brothers Of The Same Mind and P-D2. In 1996, Mr. Lord worked with a young hungry MC out of Chicago named Nomad who was relocating to the Northwest.

Windy City Hustle is a short cassette single introducing Nomad to the Seattle scene. The A-Side is “Windy City Hustle,” produced by Mr. Supreme and featuring Jake One. That’s quite a pedigree for a debut! It’s a lovely beat, with a jazzy, east-coast rhythm. The lyrics are autobiographical, and Nomad talks about how his difficult childhood forced him to make tough decisions. “Now I’m gettin my hustle on, and in various ways, from shopping bags to stealing, it seems like crime pays.” He raps about his dreams and goals in a basic, no nonsense style that I find very effective. “Chicago’s got my back,” goes the scratch throughout the track.

Side B of Windy City Hustle is “What Is Hardcore?” This track is more conscious than “Windy City Hustle,” and deals with social issues including class and racism. Nomad asks important questions and breaks down some key aspects of modern American life. The abstract ominous music and super-hard drums perfectly complement the mood of the track. Mr. Supreme made the “What Is Hardcore?” beat too, showing his versatility as a rap producer.

Later in 1996, after this cassette dropped, Mr. Supreme and his musical partner Sureshot dropped the Choked Up album, assuring their own rise to stardom. Nomad would return to the game in 1998 with his own company 300 60 Degree Entertainment, and a new song titled “Blessed 2 Mic Check.” Windy City Hustle is a solid debut, and it shows that Seattle contains many talented MCs lurking around every corner. It just takes a little digging to find them. Written by Novocaine132

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